OITNB Episode 5: Gloria Goes Gangster

Don't f*** with Gloria's Girls
Don't f*** with Gloria's Girls

 

There’s been a war brewing between the Latinas and the Black girls for some time. Not only do they run the kitchen, the Latinas sit front row at movie night and on high pillows that cause them to block everyone’s view. Everything comes to a clichéd head in Episode 6 “Low Self Esteem City” when the Latina showers aka “Spanish Harlem” become backed up with sewage and the Latinas barge into the “ghetto” aka the Black girl showers, demanding to cut the line so they can make it to work in the kitchen on time. Ain’t no way that was going to go over. Vee, who has wiggled her way into the leader of the Black girls, unceremoniously shuts Gloria, the leader of the kitchen and apparently the Latinas, down.

The Black girls pow wow and decide the Latinas need to learn some manners. Taystee and Black Cindy “attack” by tying up their shoelaces while the Latinas are prepping for work. The Latinas retaliate by over-salting their food. Janae asks Daya for a new plate since she’s been sucked into this race beef just because she’s Black. When Daya dismisses her, Janae trips her in the cafeteria. Overprotective for obvious reasons, CO John slams Janae on the floor and takes her commissary for 30 days.

Gloria, who we learn in a backstory is in prison for fraud after she was caught running an EBT scam in the bodega she owned, has had enough. She squares off with Vee in the bathroom to hash out the Latina/Black girl beef. Vee complains to Gloria that she’s “too old for this sh—“ and is willing to barter: the “Spanish girls” can have the “ghetto” bathroom in exchange for transferring the Latinas in the warehouse to the kitchen so the Black girls can work the warehouse. It’s a deal.

Gloria thinks she has the upperhand with Vee until Red storms into the kitchen later, telling Gloria more or less that Vee played her entirely and “you have no idea what you’ve done.” Vee's up to something we just don't know what yet.

Over in Piperland, Piper’s mother and brother come to visit, and in the most round about way ever, reveal her grandmother is dying. Piper goes to Healey to ask for “furlough” to say goodbye to granny, reminding him that he did nothing when Pennsatucky attacked her. Healy still says “no”

Healy, who I’m slowly starting to believe is bipolar, goes to a local bar (sans wife since he talks to her so bad) and runs into Caputo. The guys get drunk and bond over how much they hate their jobs, particularly Fig. Healy would prefer not to talk to women about women’s issues, and Caputo just wants the bathroom fixed and for Fig to act like she cares about the inmates. This conversation gives Healy a change of heart about Piper’s furlough and he agrees to submit paperwork for a 3-day release.

Piper calls Larry for the first time since they’ve broken up and she sounds like Piper wants to work things out. Larry says he’s missed her as well. Womp, womp. Note to Piper: two dysfunctional people in a relationship does make it functional.

 

Some Other Thoughts….

* What was Black Cindy thinking referring to the Black guard as “Sister”?!

*Big Boo and Nicki decide to do a “Bang Off”, a competition for how many women they can have sex with in a given amount of time. When Boo pulls ahead in the game, Nicky sabotages her success by spreading a rumor that Boo has an STI.

*Gloria’s abusive boyfriend was a douche who had a bad ending coming, but even so, I felt bad to see him go out that way. RIP Arturo.

*Best line of the episode: “It’s hate speech, it’s not meant to be accurate. It’s meant to be hateful.”

 

What did you think of Episode 5? 

OITNB, Episode 4: Morello's Not Who You Think She Is

Don't be fooled by the smile. She is batsh-- crazy.  

I had no clue—none—where OITNB’s storyline with Morello was going. I only knew it wouldn’t be good after the way she flipped out on the phone when her sister told her Christopher was getting married and moving near Litchfield. But where it went? My God.

I had to stop and rewind this episode like it was an old school tape and I just heard a hot verse.

I’m sorry. Morello only went on one date with Christopher?! I’ve sat through one and a half seasons of her talking about her fiancé and their wedding. Just last episode when the career counselor asked Morello what she wanted to do with her life, her only plan was to have babies with Christopher. And all he is some guy she bumped into at the post office and had coffee with?!

Rewind!

Morello was devastated after her sister’s update, but seems back to her old self when she’s charged with driving Rosa and a CO to Rosa’s weekly chemo treatment. How this works is a guard escorts Rosa inside the hospital and Morello sits alone in the prison van reading magazines and listening to the radio for three hours. Given what we’re about to learn about Morello’s back story here, I can’t believe anybody signed off on this job assignment.

Speaking of her back story: Lorna Morello’s is a stereotypical Jersey girl, who escapes the madness of her big, loud family by watching Twilight repeatedly and locking herself in her child-like bedroom. Her vice? She has expensive taste and runs Internet scams to get free clothes and accessories.

One day, she’s in the post office running her mail scam when she meets he dream guy, Christopher, who invites her for coffee. He’s the type who tells her she looks like Audrey Hepburn and takes her to Atlantic City to ride in sailboats and on ferris wheels. OK, if that's what you're into.

Morello is waiting for Rosa and the CO when she gets all in her feelings thinking about how Christopher's moving on and she gets the bright idea to drive off in the prison van to see him again.

Ma’am?!

I knew something was off when she goes up to Christopher’s house and turns the knob instead of, you know, ringing the doorbell like someone sane would do. Then she breaks into the house by smashing a glass door.

Christopher’s wedding has clearly pushed Morello over the edge. She wanders around the house until she finds the bedroom and puts on the fiancee’s veil and then slips into the bathtub where she falls asleep. When Christopher comes home, she jumps out the window and speeds off in the prison van, making it back to the hospital to pick up Rosa and the prison guard on-time and neither are the wiser.

Morello’s not only crazy… but she been crazy. She’s not in prison for mail fraud or Internet scams, but something like stalking and attempted murder. After that one coffee date, Christopher made it clear that he wasn’t interested in taking things further. Morello “relentlessly” contacted him, even showing up at his house. He changed his email address, his phone number, and moved twice to avoid her. When he began dating his now-fiancee, Morello threatened to strangle her and then left a homemade explosive under the girlfriend’s car.

I’m sorry… what?

We’ve spent one and half seasons thinking Suzanne aka “Crazy Eyes” is the well, crazy one in Litchfield. Moreno’s got her beat by a long shot. But here’s my question: why is she--- and for that matter Suzanne—in prison when what they really need is mental help? Morello made up an entire relationship in her head that she believed and still does believe to be real. At the end of the episode, she tells Yoga Jones that she’s decided not to wear a veil to her never-ever-was-it-planned-or-will-it-happen wedding because she wants Christopher to see her face.

Um.. ok.

 

Other thoughts:

*There’s a raging debate among the Black ladies of Litchfield over how many holes a woman’s vagina has— one or two. Poussey insists there’s a separate hole for urine and sex.  Taystee and Black Cindy say it’s all the same hole for sex and making water. Sophia, the trans woman who had to build her own vagina, settles the argument and offers Taystee a mirror to see for herself. Poussey was right— sort of. She thought the urethra was inside the “big ol’ hole” somehow. Sigh. It was a hilarious exchange, and I wonder how many viewers broke out mirrors to see what was 'down there'.

*Piper annoys me to no end sometimes, but she was hilarious walking around the prison repo-ing her books and thangs.  I hated her again when she tried to pimp Brook, the new girl, for a blanket. I know Brook's annoying, but really? A blanket?

*I had no clue Poussey had a crush on Taystee. I figured Poussey was into girls, but I thought they were genuine friends, like sisters sorta. Was that a leap for anyone else?

*This Polly and Larry “friendship” doesn’t end well. An older couple assumed they were an “attractive family” and neither of them corrected the old lady to explain that they have a mutual friend, but played along with the story. Really? When Polly fell asleep on Larry’s shoulder I knew exactly where this plot was headed. This is bad. Joe Jackson.

 

What did you think of Episode 4?

The Root: Malia Obama's First Job & Why Black Folks Need Nepotism Too

Malia Obama & Dad President Obama’s eldest daughter, Malia, has landed her first job, and some people, despite the fact that it doesn’t affect them in any way whatsoever, aren’t happy about it.

According to news reports, the 15-year-old rising first daughter recently worked for a day as a production assistant on the CBS sci-fi series Extant. The show features award-winning actress Halle Berry, who plays an astronaut who returns home pregnant (!) after a year-long solo mission in space. Extant is produced by veteran director Steven Spielberg, who is a known and avid Obama supporter.

Certainly this is a dream come true for Malia, who turns 16 on July 4, given that her father mentioned her interest in filmmaking in a recent New Yorker article. An on-set insider told Hollywood trade blog TheWrap that the younger Obama’s duties for the day included helping with computer-shop alignments—whatever that means—and slating a take. The source also quoted Malia exclaiming about her experience, “My first time. This is a big deal!”

A first job is. Most of us weren’t as fortunate to start our careers in our dream field, even if our dreams weren’t as lofty as a production set helmed by one of the greatest directors of our time. Surely Dad pulled a string or two to get his eldest baby girl the hookup for that one. Malia’s job sounds like nepotism or cronyism, and that has made some folks mad.

“I don’t think that this young lady should have this position,” wrote one blog commenter, who added that as a mother and a business owner, she would not get her own kid a hookup. She reflected the general sentiment of naysayers when she added, “Parents with means have made it too easy for their kids. Thus, we have a whole population of spoiled little rich kids who feel entitled to have and do whatever they want!”

It’s inaccurate to assume that all the offspring of parents with “means” are spoiled and entitled, just as it is wrong to assume that all kids with less are hard workers. There are motivated, obnoxious  and straight-up lazy people in both groups.

That said, I still don’t get this argument. Like, did you really expect the first daughter to work at McDonald’s for her first job, like most teenagers? And for all the folks crying about this hookup, you do realize that nepotism—i.e., taking care of your family, friends and inner circle first—is what every other community of folks does, right? (See presidential daughter Chelsea Clinton’s $600,000 job at NBC.) It’s to create generational and community wealth as well as to gain access and power, a concept that black folks as a whole don’t always seem to grasp, even as, as one of my friends put it, black folks stay stuck with “this work-twice-as-hard-to-get-half-as-far struggle we be on ... ”

Too many folks who struggled to get somewhere want their children to do the same, and that’s not how folks who get ahead and stay ahead play to win. Why not offer your kid an alley-oop in life if you can? You do realize that everyone who can’t do so would if they were in your shoes, right? Everyone else who can does so that their kids can get one up on your child, the competition. Even you would take advantage of a hookup for a better shot if you could.

I’m curious: If you’re not working to build a legacy or to make sure that your children are better off than you, then what are you putting in the hours and the effort for? Just to do it and say you did?

 

Read more: here 

ABIB to Interview Kerry Washington at BlogHer on July 26

Demi + Kerry  

Two years ago, I attended the BlogHer conference in New York City.  I was the keynote speaker for the closing brunch hosted by Blogalicious, the premier Black bloggers conference. For the uninformed, BlogHer is one of the premier blogging conferences and the biggest one targeting women. The 2012 conference had  5,000+  attendees and President Obama made a live video appearance. Oh, and Martha Stewart and Katie Couric were the keynotes.  Like I said, Big. Capital B.

So it's a really big deal-- to me, at least— that two years later, I'll be on the BlogHer main stage, for the 10th anniversary of their conference, and sitting for a one-on-one interview with THE  Kerry Washington. And to make the whole thing quadruple-ly sweeter, my boo thang Luvvie Ajayi from Awesomely Luvvie is opening for us. I could not be more excited for this event. As a blogger-- and informally diagnosed Scandal addict— this is kinda major!

For the next month, I'll be watching Oprah interviews on YouTube to sharpen my live one-on-one interview skills, and of course putting my journalism skills to use, researching Kerry to death-- even though as a victim of Kerry-fever, I think I'm pretty well-versed-- to come up with the best questions to ask her.  But while I have you, is there anything you would like me to ask Kerry? 

Oh, and what do you think I should wear?

#firstworldproblems

 

 

You're Invited: Love & Politics III

RSVP info is listed below. Please join us on Tuesday, June 24, 2014 for a charming and exciting evening of Love + Politics III (#LoveandPolitics) at Suite 36 (16 W 36th St) from 7 - 10:30 pm as we mix, mingle, and recognize leaders who have forged a path of heightened consciousness and commitment to ensure the health, happiness and prosperity of our communities and generations to come.

Complimentary hors d'oeuvres and drinks will be served.  

Gift bags will be provided by ARISE News, Essence, Sony, and others.

Music by DJ Jon Quick. 

For those interested, the Ryan Center will offer voluntary HIV testing in a comfortable and private area. 

There is no charge for this event.

RSVP HERE !!!!!!

Our partners for this event include: ARISE News, National Black Leadership Commission on AIDS, Inc. (NBLCA), New York Knows/New York City Department of Health and Mental Hygiene, Young Professionals of the New York Urban League (YPUL), Empire State Medical Association, Human Intonation, Young Women of Color HIV/AIDS Coalition (YWCHAC), Veaux Productions

Funded by: HealthFirst, Empire State Medical Association (ESMA), New York Knows

  

In recognition of National HIV Testing Day, honorees include: 

Doug E. Fresh - Rapper and Health Activist 

Demetria Lucas - Author; A Belle in Brooklyn & TV Personality

Robert Cornegy - NYC Councilman                                                             

Yvette Clarke - US Congresswoman

Special Guest: Hydeia Broadbent, International HIV/AIDS Activist/ Humanitarian

 

Host Committee

Verneda Adele, Dr. Janna Andrews, Brian Benjamin, Charon Darris, Shadan Deleveaux, Tara Dowdell, Will 'Nook' DuBose, Juanito Fortuno, Monique Hedmann, Kymsha Henry, Dr. Michael Knight, Tamika Mallory, Dr. Aletha Maybank, Athena Moore, Dr. Chris Phang, Errol Pierre, Diallo Shabazz, Gregory Smiley, Jamar Ward, Felecia Webb, and L. Joy Williams 

 

For Colored Girls: My Night with Ntozake Shange

Confession: I’ve never seen For Colored Girls… well, at least not live, and not 'til last night when the National Black Leadership Commission for Aids (NBLCA) put on an performance at Harlem Hospital. (I was there to moderate a panel on HIV post-performance.) I read For Colored Girls when I was a teenager because it was on a bookshelf at my parents’ house and the title said it was for colored girls, so…  Most of it went over my head. I hadn’t lived enough. I used to, for kicks, watch clips of the 1982 PBS movie version on You Tube, particularly the scene with (a divine) Alfre Woodard as Lady

in Red, talking about how some man ran off with “alla my stuff” because I’m obsessed – in a fan way, not a stalker way— with Woodard.

 [video width="500" height="350" id="5v5sneqjdh8" type="youtube"]

 

And of course I saw Tyler Perry’s “For Colored Girls.” Um… I’ve instituted a personal moratorium on discussing Perry because every time I write about him, the commentary is the written equivalent of Groundhog’s Day in that it’s the same complaint over and over and over. I’m tired of repeating myself and it feels like he’s never going to address the (very valid) concerns (many people have) anyway. So again, so…

So last night was my first time seeing “For Colored Girls...”, on the 40th anniversary of the play, and with Ntozake Shange sitting right there in the audience, riveted by the performances, like she didn’t write the play and hasn’t seen it 1000 times.  It was that good. So, so good. Apparently, I've lived enough now. And that's kinda good and kinda bad too.

The actresses take the stage.

And apparently, I don’t know all my Black actresses like I should because there was amazing talent on that stage and I’m all “Who is this woman? I must see everything she’s ever done!!” And then there were the women whose faces I’d know anywhere, but had to look up  names.

Like her…

Remember Phyllis Stickney from "Women of Brewster Place"?

 

And her too…

On the right, Barbara Montgomery  aka "Sister" aka "Casietta Hetebrink" from Amen.

 

Oh, and this lovely, marvelous actress whose face I recognize, whose voice I KNOW from somewhere, but can't remember where for anything. Can anybody ID her?

 

Harpo, who is this amazing woman?!

 

Additional evening highlights:

*I met Ntozake Shange. It’s actually my second time. “The Magazine” had its 40th anniversary luncheon in 2010 at the  Mandarin Oriental in Midtown and for like the first and last time ever, I wore a hat. (I was still in my “odd” phase.) Shange walks over to me after the celebration to tell me she likes my hat. And I just stood there looking at her dumbfounded because she’s MF NTOZAKE SHANGE and I’m a writer and an at-the-time aspiring author and she’s talking to me. I finally pulled myself together, said, "thank you", then she introduced herself as MF NTOZAKE SHANGE and then we talked about the state of Black literature and feminism…. she asked me where I bought the hat, I told her, and she added that it was lovely and said it was nice to meet me, then went on about her life as I stood there thinking, “OMG, it’s MF NTOZAKE SHANGE!!!!!!”

I was much more collected last night, only because I knew she was going to be there in advance and had time to collect myself. When I met her on the red carpet, I told her how For Colored Girls… inspired me to be a writer and thanked her for sharing herself. I imagine every Black woman she’s ever encountered has said some version of this, but she thanked me like it was her first time hearing it and I felt warm inside.

Ntozake + Me, who is starting to look like her mother.

 

*On the ride home, my driver had the radio off. So we’re headed toward the FDR in dead silence.

Me: Sir, what would you be listening to if I wasn’t in the car?

Him: Uh… news radio.

Me: So.... would you mind if we listened Meek Mill?

Driver: No, no I would not.

He intuitively turned it up when we got to “Young N**** Move That Dope”, which is currently my favorite song.

 

*In the Green Room, there’s a last minute rehearsal of the finale. A stage manager comes in, asks a room full of 50 Black women to hush—no easy feat—and when we finally do, a mature Black woman just breaks into song wailing, “I saw God in myself… I saw God in myself…” And then the other 50 Black women joined in.

50 Black women.

Singing “I saw God in myself…”.

In unison.

I wanted to burst into spontaneous tears of joy. (I think this is a sign I need to go to church more.)

 

*Oh, and I had brownies and wine for dinner. And  I feel entirely good about this.

 

The End.

 

Macy's American Icons— Fit, Flare & Floral!

Macy's flagship department store at Herald Square NYC If you follow me on social media (Instagram, Facebook, and Twitter), you know that all those Belle dresses caught the eye of the good folks at Macy's and  last month, I began a partnership with them for their "American Icons" campaign. What does that mean exactly? It means I spend all my free time perusing shopping the many, many floors of Macy's Herald Square, the flagship store! It's like Christmas in July, or er, June. It also means I've been charged with infusing Macy's Americana-style with a lil' bit of Brooklyn.. and Belle!

Check out my favorite finds from Macy's... so far! There's more to come!

 

Pink floral fit & flare by Nine West

 

photo copy 3

photo copy 4

 

Floral explosion by Tahari

And of course, there are accessories! (Anyone who knows me, knows I'm a shoe-bracelet junkie)

Nine West booties!

geometric silver cuff

 

Betsey Johnson rhinestone cuff

 

Ask Demetria: My Husband Says Birth Control Is My Problem...

tosser-condoms-ad Q: My husband and I are discussing stopping at baby No. 2. I’m fine with that, but not his solution. He wants me to get my tubes tied or get on birth control. I told him I don’t want to and suggested instead that he have a vasectomy or wear a condom. He said he’s not having an operation and he’s not wearing a condom. He says my body is already used to trauma since I give birth, so why not add the tubes to the operation?

It’s not fair that I have to carry his kids and then, on top of that, get on birth control just because he won’t wear a condom. I don’t know how else to explain to him that I’m not getting my tubes tied. I already gave up my body and career for our family and feel he’s getting the good side of stuff. How can we resolve this? —Anonymous

 

A: Consider this your heads-up that you’re not going to like my answer. Your husband’s point of view here is crass. There’s an issue that needs addressing, and he’s decided that you alone are the one who needs to address it. He’s not willing to take the most simple solution—a condom—because he doesn’t want to lose any pleasure. He is, however, comfortable placing the onus of solving this issue on you, since you’re “used to trauma” even though it requires significantly more sacrifice from you than it would from him.

Your husband is way too comfortable shucking the responsibility onto you. You’re right. It isn’t fair. But life isn’t.

Your frustration is understandable. That said, he’s made it 100 percent clear that he doesn’t consider family planning his problem. So unless you’re going to stop having sex after kid No. 2—it actually solves the current problem and addresses all concerns but raises an even bigger one—you’re going to have to pick up the ball he’s decided to drop in your lap.

The bottom line is that when it comes to childbearing and rearing, the primary sacrifice—body, time, energy—comes from you. If you want to ensure that you don’t have a house full of kids with someone who, I can tell by your question, you already don’t think pulls his weight, you need to make sure it doesn’t happen. That means you bite the bullet and go to your ob-gyn and have a conversation about your best options.

Now that we’ve addressed that, can we get to the real issue? You feel that you’re getting the short end of the stick in your marriage and you’re sick of it. You’re arguing about what’s “fair” and what you’ve “given up” and “his” kids, not “ours.” Family planning is just the battleground on which you’ve chosen to fight an ongoing war. If it wasn’t this, it would be something else, and it will become everything else until you feel that your husband is making sacrifices equal to yours.

Read more: here 

Recap: OITNB Episode 3- Oh, Suzanne!

images-3 Piper’s back at Litchfield, and she has a new swagger. Word has spread about her unexpected fight with Pennsatucky and everyone’s surprised that Pipes had it in her to fight— and actually win. Piper relishes her new reputation, but Brook, the newbie ,is the only person who’s remotely afraid of her.

Speaking of Brook… I didn’t know it was possible for a character to be more annoying that Piper, but then Brook- no “e”—  Soso arrived as a new inmate at Litchfield. She’s the worst of Piper O.D., even more privileged and more clueless. In comparison, Piper, at least now, is tolerable. Brook also shows us how much Piper has grown during her stay at Litchfield, especially when Piper gives  the “it’s gonna be okay” speech on Brook’s first night in prison.

Red overhears Vee singing in the shower, and it’s a voice she would know from anywhere. Her reaction to seeing Vee is about like Taystee’s in that she’s none to happy to be reunited with her frenemy. Red knows Vee from back in the day when Vee served a previous bid. And Red’s preparing for the worst.

The Black girls—Taystee, Poussey, Janae, Black Cindy and Suzanne aka “Crazy Eyes”—  square off in a game of prison Taboo.   Suzanne wants to play, but  instead, has been assigned to watch the clock. She feels left out— again. It’s been a reoccurring theme in her life.

Kiddie Suzzane

In a flashback, we see (again, her mother was shown in the visiting room during Season One) that Suzanne was adopted by an affluent white family, one that seems naïve about the needs—social and perhaps, special— of the Black child they’re raising in an all white community. One of these people is not like the others, but Suzanne’s Mom seems determined to pretend otherwise.  “You know which kids suffer in this world, Melanie?"  she asks a Mom who doesn’t want 10 year old Suzanne at her 6 year old (white) daughter’s slumber party. "The ones who are told they’re different,” Mom is impassioned and liberal and means well, but pretending Suzanne isn’t Black and that she doesn’t need a different (but equal) type of attention than other children doesn’t benefit her.

Suzanne’s not crazy, despite her nickname, but she wasn’t properly socialized, and maybe not told “no” by her parents enough (I’m thinking of the swimsuit with angel wings. On the fence as to whether that’s evidence the parents don’t set boundaries or them just choosing their battles with the kid.).  And maybe she just needed a Black mama. Suzanne freaks out in the hospital room when her dad takes her new sister away and her parents are entirely clueless as to how to calm down their own child. The Black nurse on duty automatically relates to Suzanne and chills her out. The same thing happens when Suzanne meets “Vee” for the first time. She’s being all, you know, Suzanne and “Vee” hits her with “don’t interrupt” in a firm Black mama voice. Suzanne  automatically pipes down again. Is it the Blackness or people who know what to do with kids, or er, child-like adults? Both? (I’m leaning toward both with an emphasis on Blackness.)

Pennsatucky was the unofficial leader and the one with the biggest bark in her group of girls, former meth addicts. While she recovered from/ was punished for her fight with Piper, LeAnn and the other girls realized there was less conflict and drama when Pennsatucky  wasn’t around, so they aren’t happy to have her back. There’s that, and then there’s Pennsatucky’s new teeth. All the girls have messed up grills, the physical markers of the women’s shared drug habit. But now Pennsatucky doesn’t have it anymore. Lookswise, she can fit in with any other white groups at the prison. Her improvement makes her friends self-conscious and too, jealous.

Vee and Taystee finally have their showdown. Taystee’s pissed she had nowhere to turn when she got out. She was likely locked up in connection to her work for Vee and Vee being her Mom and all, was supposed to take care of her. Vee apologizes, but Taystee isn’t getting it over it— yet.

Since she’s not up for taking on her daughter role to Vee in prison,  Vee sets her sights on Suzanne. She immediately senses Suzanne’s lacking sense of belonging and she is clichéd putty in Vee’s hands.

It’s nearly impossible for anything good to come out of Daya’s ongoing relationship with the CO and the resulting pregnancy. It’s just too muddled and that’s sad because they genuinely care for, if not love, each other. “I want to be better than my Mom,” Daya tells John. “I want this baby to have everything.” It could happen someday, but anytime soon?  No. We’ve seen what happens to women who give birth in prison. If they’re lucky, they get to coo over the baby on visiting day. That’s the best-case scenario, and Daya and John can’t even have that because John can’t publicly claim he’s the father.

Morello’s dream has finally turned into a nightmare. Everyone but her knew that fiancé Christopher wasn’t waiting around for her until she got out, but no one wanted to be the one to tell her. Or maybe because she’s such an incredibly sweet girl, they were hoping for the best along with her. But Morello’s sister, Franny, has confirmed the worst— Christopher’s getting married. Morello loses it, like we’ve never seen her before “You don’t go Jessica Simpson when you got Rihanna,” she bellows to Franny.  Great, great acting by Yael Stone.

Other thoughts:

*As a kid, Suzanne has a big personality and given the way she quotes Shakespeare and her dramatic flair for counting the clock, I wouldn’t be surprised if her parents channeled all her extra energy toward the theatre. In some ways, her story reminds me of Audra McDonald’s recent Tony Award speech where she thanked her parents for recognizing they had an energetic child, and instead of putting her on meds, they introduced her to the arts. Audra got some flack for that from a Mom who medicates her ADHD kid. And McDonald  responded that she wasn’t criticizing medication, just saying what worked for her. Suzanne’s parents seem to have the tried the Audra McDonald approach on a kid who needed more than that.

*Piper thought the administration knew how she got her now-healed battle scars from her fight with Pennsatucky, but they don’t. And Piper's not telling. It seems Suzanne had an episode after the Christmas pageant, stumbled out into the yard and went off on Piper whose blond hair and white skin reminded Suzanne of her mother. Being beat up by Suzanne is the only reason Piper's not facing additional time in prison for the fight. “You saved me,” Piper tells Suzanne when she tries to apologize. “I am so grateful to you.”

*Larry can’t escape Piper even when he tries. He gets a call from a journalist, the same one that’s on to Fig, and the guy only wants to know how to get in contact with Piper. He takes his father’s advice and tries to get laid and his date, who says she likes guys with no ambition, and the first thing she asks him about is… Piper. He can't win.

 

What did you think of Episode 3? 

OITNB Episode 2 Recap: Taystee Girl

  Screen Shot 2014-06-10 at 7.12.15 PM

*SPOILER ALERT*  *SPOILER ALERT*  *SPOILER ALERT*  *SPOILER ALERT* 

Most OITNB viewers endure Piper to get to the characters they really want to see, and that’s actually by design. Show runner Jenji Kohan gave an interview to the Huffington Post in  December that detailed why viewers are subjected to Piper: "If you go to a network and say, “I wanna do prison stories about black women and Latino women and old women,” you’re not gonna make a sale.  But, if you’ve got this blonde girl going to prison, you can get in there, and then you can tell all the stories.  I just thought it was a terrific gateway drug into all the things I wanted to get into."

So we’ll endure her to get to everyone else in Litchfield, especially “Tasha  Jefferson” aka “Taystee”, who emerged as one of the break out stars of OITNB, (in addition to “Sophia Burset” aka Laverne Cox, who was so popular she landed the cover of Time Magazine.)

Episode 2 begins with a backstory viewers have been waiting for. In Season One, we learned Tastyee didn’t have any family she could rely on when she was released from prison and wound up sleeping on the floor in an over-crowded apartment. But now we get the details. She grew up in a group “home”, desperate for a conventional “forever family” that never came despite being a smart girl with a big personality and a serious case of the cutes.

She’s around 10, when she encounters “Vee”, a neighborhood dealer who immediately makes me leery. It’s one thing to sell drugs, it’s another thing to seduce kids with crappy home lives into working corners for you by presenting yourself as a mother-figure, especially when the consequence of coming up short on the count is sleeping outside. Taystee, still just a pre-teen, has lived enough life already to suss out Vee as “a connect”, and despite her desire for a family, Tasha isn’t desperate enough— yet— to take Vee up on her offer to “learn the trade”.

Years later, Taystee is out of viable options. There are problems in her group home and Vee, who has always paid attention to her, is her last resort. She wowed her with her science skills when she was 10-ish, and years later it’s her quick math skills that win Vee over, and set Taystee on the road to prison.

The upside here is that Taystee gets the family she always wanted. In exchange for participating in Vee’s heroin operation, she gets a Mom (types of motherhood are a theme throughout the episode) who bakes bread from scratch, listens to—and humors— her crazy ideas and an older brother, RJ who lovingly teases her. When the family prepares for dinner in the kitchen table, it almost feels Cosby-esque— minus the heroin baggies they have to clear first.

Back at Litchfield— finally— it’s “Career Day” and we get an update on what the people we really care about are up to.

Taystee is the only one taking “Career Day” seriously. She picks the outfit that won the year before and she actually studies for the interview with a Phillip Morris recruiter. Her interview skills are impressive, perhaps better than most of the people on the outside with a legit job. Like most—but not all— of the women at Litchfield, she’s smart. With the right chances, a support system and a little luck—like say the cushy life Piper was born into and takes for granted— many of them could have gone far in life. (But, as Vee once told her, “you’re from the hood. You don’t get a career. You get a job. And this one [selling heroine] is the best one around.”) Still, Taystee is a stand out among the ladies of Litchfield. And best friend Poussey couldn’t be prouder.

Poor pregnant Daya hasn’t pooped in five days and swears she’s “dying”. Gloira and Daya’s Mom, Aleida—moreso Aleida than Gloria— battle it out to see who can make Daya poop faster. When she finally poops, Daya declares it a tie. They’re both winners.

Red’s not adjusting well to her loss of power in the prison. She’s let herself go – her hair isn’t fire red anymore or standing up— since she was ousted from both the kitchen and her position as the matriarch of her prison family. To make matters worse, her real family hasn’t added money to her commissary, so she’s forced to return to the cafeteria and face the Latinas who have taken over the kitchen— or starve.  Since she’s been kicked out of her group, the Grey Mafia offers her a spot in theirs. She declines. “My life is sad and small and a burden to those I love,” she tells her son on visiting day. Because old ladies don’t take no for an answer even from other old ladies, they ignore her rejection and push up anyway.

Little Boo (the dog) is no more after an incident between the dog and Big Boo got “weird.” The implication is that Big boo had the dog perform oral sex on her. Desperate times call for desperate measures… I guess. O_o

Morello is still holding on to the idea of marrying her fiance’, Christopher, when she gets out of prison. “Fig” aka the lady who runs the prison brought in some sort of resume specialist to help the women clean up their resumes and when he asks her what she wants to do for work when she gets out, she responds, “I just want to get married to Christopher and have his babies and make the house look nice.” Um, okay.

Pennsatucky isn’t dead, as we learned in OITNB’s season opener, but it’s here we get a glimpse of the damage Piper’s done. It’s been over a month since their big fight and Pennsatucky’s face has healed, but… When asked about the fight, Pennsatucky downplays how brutally Piper beat on her: “I suppose she got a few licks in”, she offers, but her teeth tell another story. If thought they were bad before….

New teeth or nah?

Healy’s still trying to make headway with his wife when Pennsatucky shows up and reminds him that she remembers everything about her fight with Piper, specifically that Healy saw it revving up and did nothing. She might be a “hillbilly meth addict” (and completely delusional), but she isn’t stupid. She also reminds Healy that she is still the poster child for the Right to Life movement and her version of the story holds more weight than he thinks it does. Healy buys her silence by agreeing to fix her teeth.

Natalie Figueroa aka Fig’ is the executive assistant to the Warden and her husband is running for office. Hubs heightened popularity has brought more scrutiny to the prison that his wife runs. There are funds missing  (because she embezzled them) and an overbearing reporter is determined to get the story. Fig shows off her rehabilitation activities at the prison (aka “Career Day”), then flirts her way out of the questions reporter’s questions before brushing him off.

Outside of the Litchfield, we learn Piper’s best friend Polly had the baby, and her husband Pete promptly bailed to go find himself on a “vision quest in the Tundra.” Polly, is a stressed new mom who gives zero f****s, evident when she greets Larry, who’s pitching in to help, at the door with a boob hanging out.  For what it’s worth, she offers Larry her sympathies about his break up with Piper, but she’s loyal to her bestie: “She’s my friend and I will always take her side over yours,” she tells him. “And I will always be friends with her, and who knows how long I will know you.”

Piper’s ex-fiance’ Larry and his father wind up at gay bathhouse—Dad found it on Groupon—to discuss Piper. Larry isn’t ready to move on yet, which his father (and the entire viewing audience) doesn’t get. That said, I do understand why no one would be interested in him. He’s an ass, just like Piper. They’re actually pretty well-suited for each other. His one redeeming quality thus far is his paternal skills.

Other thoughts:

*Gloria has been locked up long enough that she doesn’t know what “Molly” is. Luschek, the CO who fixes the electricity, explains, “it’s the pure powder form of MDMA. It’s supposed to be a clean ecstasy, but it made me grind my teeth.” Here’s a CO admitting to taking illegal drugs. “How come you ain’t in jail?” Gloria asks Luschek. Technically, he is, which he points out. What she meant is how come he breaks the law, but isn’t punished for it like all the women in Litchfield. Gloria asked a great question.

*The only real lick we saw Pennsatucky get on Piper was when she cut Piper’s hand with the shank. But when an inmate sees Pennsatucky she says, “I heard you beat the holy mess out of each other.” Um, was there a part of the fight we missed? Or is the prison grapevine like a game of telephone where the story gets distorted the more it’s told?

*Taystee is none too happy when Vee shows up in the prison doorway after Taystee wins the interview competition, one that garners her $10 to her commissary, not the job offer she was expecting when she’s released.  The last we saw of Vee and Taystee, Vee was promising to protect her forever. Seems Taystee hasn’t forgotten she had nowhere stable to turn when she was released.

 

What did you think of Episode 2?

The Pre-Birthday Post: What Success Actually Looks Like, Part 2

   

 

images-3

Part One is here

The “helper” is good at her job. She tells me to get in the shower and she’ll deal with the guard. She’s been efficient thus far, so I head off to the shower with my arm-full of stuff and my bag of soap and multi-sized towels.

After my shower, I feel like a new woman. The helper returns and we wipe down the stall until it looks good as new.

When I’m dressed, I return to hospitality suite alone while my helper goes off elsewhere to, I guess, help other folks in need. She tells me there’s yet another hospitality suite down the hall, one with food. Good, I haven’t fed myself in about 14 hours. She tells me when I’m done with my make-up, I can meander on down that way. Perf.

I hole up in the bathroom, spreading my “tools” out on the counter, then climb up onto the counter and sit cross-legged on it to face the mirror. A make-up artist wasn’t in the budget and it wasn’t coming out of mine. I can’t beat my face with the skill of a good professional yet, but I can manage to look better than presentable if I have enough time. This time, I have two hours. (I won’t need all of that.) I blast Raheem DeVaughn on my from my iPhone while I get the job done.

Fast-forward. It’s almost showtime. The helper returned to take me from the hospitality suite to the convention center. My hair’s still big, so I’m immediately recognizable*, and from a distance. People begin to swarm around me and ask for pictures. My helper politely declines for me and promises there will be an opportunity when I’m on the step and repeat, where I’m headed.

The step and repeat is occupied by some folks who are locally famous, but I don’t recognize. I’m left off to the side, outside of the ropes, and I’m being swarmed by people who want to take pics. Saying “yes” is the right thing to do and I usually don’t mind. The only time I do is when I’m either a) out with my mother and certain friends who get highly annoyed by it; or b) when I’m about to go on stage. Striking a pose and the right smile 20x can be mentally exhausting and throws me off my game. Here’s the issue: if you take one, you have to take them with everyone who asks. I haven’t been doing this long enough to learn how to decline politely and without someone getting offended. I don’t know that there is a way to so.

My helper, helps… until a major black male bonafide celeb shows up and trumps my “I got next” spot. He’s a tall, wide, strikingly attractive man in a room full of three thousand women.  My helper gets a little star struck by him, as does everyone else. It’s like I’ve been doused in a cloak of invisibility, and I am thankful.

The actual appearance on stage goes well. The audience is engaged and laughing, and for the Q&A, there are plenty of questions. That means my colleagues and I killed it and the organizers are happy. There will be no conversations about duties unfulfilled  when it’s time to pay the balance of my check.

Once I’m at my actual hotel—way off site for reasons I don’t understand--  things go well enough. My friend, a New Yorker living temporarily relocated in the South for school lives an hour away and is on her way to see me. When she arrives, we drive around until we find a Cheesecake Factory and binge on avocado egg rolls for my only meal of the day.

We stuff ourselves into –itis territory and she decides to crash in my room and drive home in the morning. Fine. My flight is at 9AM. The organizers are sending someone to pick me up from the hotel in the morning and I’m sure I’ll be up before her so I remind her to check out on her way out. I promptly pass out.

My alarm goes off in the morning and my girl is in such a deep sleep that it doesn’t wake her, which is good. She’s got her own stressors, notably mid-terms and she’s been studying non-stop. I shower and dress with as little light as possible and head down to the lobby at 7:30 AM to wait for my ride— who never shows up.

I text my contact for the event at 7:45AM to ask about the driver. She says she’ll find the person.  She texts me back to say she’s really sorry, but she doesn’t know where he is. No solution for how I will get to the airport. This isn’t New York where I can just step outside and hail a cab at the closest corner. I have to call for one. The hotel attendant says they usually come in about 15-20 minutes. Um… I don’t have that long. I’ll miss my flight.

I go back upstairs, wake up my exhausted friend and ask her to drive me to the airport. Of course, she can. She throws on her clothes in a hurry, stumbles downstairs half-sleep— I know that feeling too well— and speeds me off to the airport.

I make my flight with time to spare. (Thanks, boo!) I never found out what happened to that mystery driver. And this time CBW shows up on time, and at the right airport. At least that part of this journey was a success.

 

 

*For anyone wondering why I’ve had braids so long, it’s a (not-so-great) "disguise". Most people don’t recognize me without my hair. I love meeting readers and viewers, but I’m also an introvert and it can be overwhelming.

The Pre-Birthday Post: What Success Actually Looks Like

Success

A few weeks ago, I wrote about finding my “fire” again—not as easy as one my think. It involves being honest about somethings that make me uncomfortable and turning down some opportunities that would make me financially comfortable, but compromise my integrity (further). That post ended on hopeful note, something like, “with effort, we all get to be who we want to be…”

A woman who read that noted, “that’s just not true.” She followed up to say that assessment was easy for me to make because I’ve been successful at everything. If she was standing in front of me, I would have laughed. Hard. Actually, that’s just not true. I responded to let her know the only reason anyone’s success looks consistent is because the losses usually happen behind the scenes. For every professional win that’s public, there are always more “Ls” in private. For every clichéd cool, calm, collected appearance in the spotlight, there’s madness behind the literal and figurative curtain.

People have been labeling me “successful” lately. (I know. Me and my First World problems, right?) I’m flattered. But that’s not how I view myself. You see accomplishments.  I still see the things that I wanted that I didn’t get. I see looming deadlines, the never-ending demands, negotiations, and decisions, and the 50-million things that I haven’t done that I’m supposed to be doing, including dropping Don’t Waste Your Pretty, which I’ve pushed back releasing . (Another blog post for another day.) I live through the disappointments and the insanity for a hard won, well, win here and there. Success, whatever that is because I haven’t figured out my definitive definition of it yet, doesn’t look like whatever I abstractly imagined it would be, what it will be. Success is rosy. My life is chaotic.

For instance….

 

I fly into NYC on a red-eye, which means I land at 7AM. Plane sleep doesn’t really count as real sleep, so I’m only half -awake when the plane lands. Before I got on the plane, I cancelled the car to pick me up from the airport because I’ve been gone for the better part of two weeks and CBW wants to see me immediately, so he'll pick me up. Perfect… sort of.  For the first time in his entire life, he shows up somewhere on time. But he’s at JFK. I’m at LaGuardia.

I head to the unusually long cab line for this time of the day and I'm freezing. I spent the last two weeks in leather jacket or no jacket weather, and now I’m in wool coat weather wearing leather. Great.

I finally get a cab. Something about the way the driver is, well, driving, makes me feel nauseous on an empty stomach. Greater. The up-side here is that CBW beats me to my apartment and, God bless his sweet soul, has laid out sleep clothes and pulled the covers back on my bed. He knows the routine for when I get back after a long work trip. I greet him “hello” and “good night” at 8:30 AM. He puts me to bed and leaves for the office.

By 1PM, I feel human again. I fart around the house, willfully attempting to do nothing, because for the last two weeks I’ve been required to be doing something all day everyday— and tonight I’m required to do something else. At 5:00, I get dressed for an awards ceremony that I was supposed to get ready for at 4:00. Of all the people receiving awards, I’m pretty sure I live the closest to the venue. It’s at the Brooklyn Museum and I could run there in 10 15 minutes if I really wanted to. And still, I am the last person receiving an award to arrive, damn near 30 minutes late.

The ceremony goes well. I rely on the reserve of energy I’m been storing all day like a bear in hibernation so I can have a burst when I accept my award. My speech goes well too. I talk about Spike Lee and Nola Darling and why I moved to Brooklyn. I talk about how I worked really hard for years trying to be known and seen and professionally, and how everything  actually took off  almost immediately when I stopped trying to be noticed, and started filling a void. Basically, I became useful. The audience laughs and claps at the appropriate times. I win.

After the awards, I’m exhausted. But a really good friend who is from Brooklyn but lives out of town showed up at the awards to support me. She wants to do dinner, and she won’t care if I yawn through it. She just wants to hang out with me. I have great friends and I neglect them more than I do CBW because I'm always alternately working or hibernating.  It's a sore spot between me and, like, everyone. I feel bad about that and I don't want to that girl.. again. So all three of us go to dinner and I kill two figurative birds with one stone.

I stay out too long because time flies when you’re having fun, and I will suffer for it. It’s 11PM when I get home and I still have to pack. The following morning, I have a 6:30 AM flight to host another event in the South. I’m in bed at 1:30, up by 4:30. At the airport by 5:30.

I arrive in the South around noon in tights and Jordans. (You did not think I traveled in dresses, did you?!) The volunteer from the airport picks me up and says she’s taking me to the hospitality suite at the hotel where I can hang out until showtime.

Hospitality suites have food, and chairs, and occasionally liquor. They’re comfy. But they don’t have what I really want. No, need.

I swear I’m not trying to be difficult. But I’ve been on the road since 5 AM. I took two different planes to travel a thousand miles to show up for an appearance on this so-called “celebrity* panel” at this very lovely event where I will take loads of pictures that will be all over social media. I will also sit on this Southern stage in front of hundreds of people looking at me and I will need to be “on”. That means consistently smiling, witty, attentive and funny. To do all that, that means I need to be at my best. And that means I need another  shower.

“Um… does the hospitality suite have a shower?” I ask the driver.

She says she’ll check. The answer is “no.”

I don’t get it. I mean the convention center is attached to a hotel. Get a room, let me borrow someone’s room who is working this event and is staying here. I mean, my manager specifically asked that there be a place that I can shower, so it’s not like this is an out-of-the-blue request. And I just flew in for an event. Am I being unreasonable?

I decide I’m not and insist, firmly but politely, that she find me a shower. The events team puts a few people on this task, including a “helper” who has been assigned to work with me.

The helper, a very sweet woman, tries to live up to her job description. She quickly has a solution. She goes to the front desk, gets bars of soap and towels of varying sizes and brings them to me in the hospitality suite where I am the only person waiting. She says I can “wash up” in the bathroom.

Um. No. I can’t. I mean, I can, but I won’t. But I appreciate that she tried it. I insist, again, on a shower. Back to the drawing board.

Twenty minutes later, there’s a new plan. And a shower. An adjacent building has a women’s bathroom. The hotel attendant takes us to it. There are a row of 10 toilet stalls, and at the end of said row, there is a handicap bathroom with… a shower. It’s the equivalent of showering in Penn Station, but like clean. I can smell the bleach. And there is flowing warm water from above. Whatever. I’ll take it.

I’m unpacking my suitcase and not yet in the shower, when a security guard, a Black woman, enters the bathroom. “Uh, ma’am,” she begins. Nothing good ever follows that opener.

She says the hotel attendant should not have brought us here. This building is not a part of the hotel, and Black woman talking to Black women, she keeps it 100: “ I will lose my job if my supervisor finds out you're in here,” she adds. “I’m sorry, but you can’t use this bathroom.”

As much as I want a shower, I don't want one bad enough to put another Black woman's job at risk. Fuckkkkkk. I accept defeat and that I will have to go on stage for my big, fancy panel unfresh. If this is “celebrity” life I want to go back to being "regular."

Part 2: Soon come.

 

*I don't and won't refer to myself as a "celebrity." If I didn't earn the title from writing, I won't accept it from having cameras following me around. That's not a talent; it's an experience.

EPISODE RECAP: Orange is the New Black, "Thirsty Bird"

Screen Shot 2014-06-10 at 3.10.18 AM

*SPOILER ALERT * *SPOILER ALERT * *SPOILER ALERT * *SPOILER ALERT *

I've never been to prison. There was that one time I went to the county jail for a high school civic class (only Black girl, nearly all Black male prisoners. Bad day.) And there was another time I waited in the visitor's area of a jail for hours because my best friend got locked up for driving my car 100+ mph (while I was in it.) But that's the extent of my experience. I never got into  "Oz", so Orange is the New Black is my first "real" taste of TV prison, which I am clear is crafted for my amusement and dramatic effect.

As far as prisons go, fictional Litchfield is bad enough. There's the SHU which drives everyone crazy, and tampon sandwiches, and religious zealots with shanks. You have little privacy-- although you can get enough stolen moments for lady sex and to electrocute yourself for the high-- there are crazy people and emotionally disturbed people, and sociopathic people and to be fair, very normal people who made seriously bad choices, often out of necessity, unlike our annoying heroine Piper Chapman, who did it for the adventure. But as bad as Piper thought she had it, she’s about to learn it can always be worse.

Season 2 begins with Piper being transferred from SHU in the middle of the night via a "mystery bus", then onto a plane to an undetermined location. Turns out it's to a new prison-— a temporary, but indefinite assignment— in Chicago, one that lives up to the horror stories of prison and it's inmates that Litchfield did not. Chapman thinks it's a punishment for killing Pennsatucky in their season-ending snow fight, but actually it's because her ex-girlfriend's ex-boss is standing trial and Chapman and her ex, Alex Vouse, have been called to testify for the Feds. Piper may be many (horrid)  things, as Alex points out, but she is not a murderess.

At Litchfield, Piper squats and coughs upon entry. At The Metropolitan Detention Center, she bends over and grabs her ankles while a guard shines a flashlight up her ass. There's one hour of recreation time and one day a week in the yard, which is promptly cancelled when a fight breaks out because an inmate's "molest me, daddy" voice. Most of Piper's time is spent in a cell with her roommates, who include a Black woman who sings Aretha Franklin’s "Natural Woman" while taking one of her four—yes, four— daily bowel movements on a toilet in the cell, a Latina with a spider tattoo on her face who's killed 13 people-- and has the broken black hearts to prove it-- and perhaps the scariest of all, a white chick who Piper wrongly assumes is harmless because of her nerdy demeanor and odd interest in birth times and because Piper is Piper, her whiteness. But it's that chick, one with manic rage who once bit her girlfriend's tongue off and swallowed it, that climbs on top of Piper in the middle of the night and licks her face from chin to brow. Lesson: don't judge a book by its cover.

Piper starts off on the wrong foot with her new roommates when she  steps on a “Yoda”, a "biggie slow" cockroach capable of transporting cigarettes on their backs (with the help of toothpaste) from one cell to another. Piper is charged with finding a replacement— or else.

When Alex and Piper finally meet up in MPD, Alex has strict instructions for testifying: lie. Alex's ex boss incorporates "revenge as part of his business model... sick, deep revenge", Alex says, and she suggests they both lie about knowing him so as to escape his wrath.  Piper eventually decides to go along with this plan and lies on the stand, much to the dismay of her lawyer, her ex-fiance’s father.

Alex doesn’t take her own advice though. She tells the truth about her relationship with her old boss, and it conveniently lands her out of jail. I’m not sure whether she set Piper up so she would be more important to prosecutors as the only one who had testimony against her ex-boss or as Alex explains to Piper on her way out of jail, “everything just  happened so fast” and she really did just  change her mind at the last minute. (I've watched the whole season and still can't figure it out.)

Either way, Piper is in, possibly with a perjury charge coming, as her lawyer points out. And Alex is out.

 

Some other thoughts:

*I get that the crux of the show is Piper’s fish-out-of-water perspective on prison life, and she is supposed to represent the viewer, one privileged enough to own a laptop, have wi-fi, and a the disposable income for a Netflix account. And still, Piper’s middle-class cluelessness and inability to grasp the basic nuances of prison life or recognize her privileges is hella annoying. You’re asking the guard on an inmate transportation bus if he can stop to have a bathroom break? Really? In fairness, the flashbacks to her childhood show that she can't really help it. F---ed up people raise f---ed up kids.

*On the plane to Chicago, Piper sits next to an inmate who looks like what I imagine Ellen would if she never had money and did hard drugs. As much as Piper is freaking out about not knowing where she’s going, Lolly, who carries a “glob” of Vaseline in her ear to keep her face hydrated on the plane ride, doesn’t care. She’s excited for anywhere that has food daily, heat and a bed because “it’s better than where I been.” Prison is a preferable option to whatever she faced on the “outside.” And given the conditions of where they end up and how Lolly gets beat up in the prison yard, that’s scary.

*We don’t get many Black guys on a show about life in a women’s prison, but the self-described “predator” in this episode is the scariest and most stereotypical image of a Black prisoner ever— sort of. Piper thinks he’s a rapist, and it’s not far-fetched given his leers on the plane and the way he grabs his d--- at her in her in the cafeteria. That, and when Piper tries to barter a hand job in exchange for him passing a message to Alex, he asks for her four-day old panties as payment. I was as relieved as Piper to find out he was a hitman. I don’t like Piper very much, but I don’t want anything even worse to happen to her.

What did everybody else think of the FIRST episode?

She Matters: Confronting the KKK... Sorta

KKK Montreal I’d gone to Montreal for a conference and, because I fell in love with the city, decided to stay a few more days to explore it. I was with my travel companion, a woman who’s working on a start-up site about art, and she asked me to tag along with her to check out Montreal’s contemporary art scene.

At our second stop, a very nice attendant made small talk and asked about our art-hopping plans. Maybe I looked as bored as I was because the attendant asked if I was enjoying the trek. “I like the pretty colors, but ... ,” I said. I’m not that shallow, I swear. I just have a preference for art that is bold and in my face.

“What’s next?” the attendant asked. My companion told her we were headed to “Come and See” by British artists Jake and Dinos Chapman at DHC/ART.

She looked alarmed. “I haven’t seen it, but ‘depressing’ was how a friend described it. Wanna see?” She punched a few strokes on her computer keyboard and invited us to take a look at her screen.

There were various images of Ronald McDonald being crucified. It was one scene in an extraordinarily detailed display of miniatures that looked like something out of the zombie scenes inWorld War Z. I clicked the “about” link that explained the exhibit. The leading themes of the brothers’ work: “morality, religion, sex, death and philosophy.” Apparently they have a thing for critiquing the “-isms”: capitalism, consumerism, imperialism, extremism, racism, etc. Cool. This sounded more my speed.

At the exhibit, a very nice man greeted us cheerfully at the entrance. He pointed down a hall, indicating that we should begin there. At the top of a short set of stairs was a summary of what I read on the website. I skimmed through it quickly, but my partner in crime must have read faster because she moved on first. I don’t know if I heard her gasp first or caught her flinching in my peripheral vision.

“What?” I asked, genuinely concerned since, like me, she’s not prone to dramatic reactions.

“Oh, hell no,” I said. I stepped back to the very edge of the stairs. I should be more careful about what I ask for.

 

Read more: here 

Ask Demetria: My Ex Moved On And Won't Be Friends

104903263_640 Dear Demetria:

I was actually helping my ex-boyfriend try to get his girlfriend back when somehow we ended up hooking up. Now he's back with his girl and he tells me we can’t be friends anymore. I'm really hurt because he is also one of my best friends and I love his presence in my life. I believe he feels the same way. I'm not trying to get back with him. I just want to keep the great friendship we've built over the past six years. I can't have a friendship with him because he has a girlfriend now? —A.C.

I get why you like your ex-boyfriend so much and would want him in your life. He sounds like a stand-up guy, who, when push comes to shove, makes the right choice. Unfortunately, a friendship with you—his ex, someone he hooked up with recently--doesn’t fall under the category of “a good idea” now that he’s back in a relationship. He’s doing what he’s supposed to do by ending his association with you.

To be clear, you and your ex are not friends. You are two people who used to be in a relationship; had dreams, adventures and sex together; and then broke up, for whatever reason. You began a relationship because there were things you liked about each other, and when you ended the relationship, you kept each other around to enjoy those traits without the headaches of being in a relationship.

I actually do believe that some exes (in some cases) can be genuine and platonic friends if they’ve healed from their relationship and enough time has passed. It’s been six years since you and your ex parted ways, but you two aren’t “just” friends. If you were genuinely friends, you wouldn’t have “ended up hooking up.” There’s clearly some sexual chemistry at play, and as evidenced, neither of you can resist it. This is not a platonic friendship.

Frankly, despite what you write, I don’t think you’re over your ex. The story doesn’t make sense. Why does he need your help to get his girlfriend back? Did he need your help to get her in the first place?

Maybe listening to so many dating and relationship woes over the years has made me cynical, but that sounds like a ploy to spend extra time with him when you know he’s vulnerable. That you “ended up hooking up” just makes me believe this even more. In addition, you still “love his presence” in your life and you’re taking his moving on six years later as a breakup. Again, this is not a platonic friendship.

There may have been a time when your ex was willing to play with fire—that would be you—but it seems that he’s quite serious about keeping his girlfriend now that he has her back, as he should be. Who knows? Maybe she sensed the chemistry between the two of you, and distancing himself from you was a condition that she set for taking him back. Or maybe he let you go as a pre-emptive measure because things have a tendency to spiral beyond the boundaries with you.

It could also be about appearances, because it doesn’t look as if he was all that serious about wooing his woman back if he was hooking up with his ex. (Technically, he didn’t do anything wrong, since he was single.) And when—not if—that story comes out, it looks better if he can say, “I knew it was wrong and I cut off all contact.” Your ex isn’t stupid.

What is clear is that he’s told you that he doesn’t want you in his life anymore. It doesn’t have so much to do with the girlfriend—he had one before and still interacted with you—as with the fact that he has decided he doesn’t want you to be a part of his life anymore. So as much as you think “he feels the same way” that you do, his actions say otherwise.

Ask Demetria: Is Getting Revenge on An Ex Worth It?

111313-fashion-and-beauty-torrei-hart  

How do you feel about getting revenge on the ex that hurt you? Nothing involving harm to the person or property—just to expose him for what he is. He portrays himself as this great guy, but I know things about him that would shock people, especially his new girlfriend. I’ve spent months going back and forth between thinking he deserves it and others should know, and thinking he’s not worth it, move on. —K.I.

You’re still hurt. I get it. But you have to let it go. He is living rent-free in your head. You’re spending months thinking about a man who is thinking about the woman he is with—not you. You think you have some sort of upper hand because you have information about him that you think could ruin his reputation. What you don’t realize is that you’ve already given him the upper hand by spending months of your life still dwelling on him.

He hurt you. I get it. Forgive him anyway. Not because he deserves it but because if you don’t let your anger go, you’re going to remain stuck in it even longer. And while he’s enjoying life with the next woman, you will not meet anyone of worth or substance to treat you the way you deserve because you’re holding on to so much animosity about your past. Frankly, your bitterness is going to block your blessings.

Several celebrity ex-wives have been in the news for spilling secrets and talking greasy about their ex-husbands and, allegedly, their affairs. There was infamous basketball player Dwyane Wade’s ex, who, among many things, publicly accused him of giving her an STD and then alleged that Wade, a multimillionaire, had left her homeless.

Meanwhile, Swizz Beatz’s ex was writing open letters to his alleged mistress on Instagram in 2009. And earlier this week, Kevin Hart’s ex Torrei Hart blasted him for allegedly cheating on her—with dates and all. To her credit, maybe she’s mad, or maybe this is all just a cheap promo for her new reality show.

You’re not a celebrity, so you’re not going to get press—or money—by spilling your ex’s tea. Here’s what will happen, though. Your friends and his friends will listen to your stories, and they will laugh and they will call others and retell your tales. It may get back to your ex, and he’ll be mad. He might even call and flip on you. Maybe his new lady will hear about it, too, and she’ll look at him sideways. You and your stories will be the center of attention for a little bit.

But after the initial shock, no one will think, “Ooh, what sweet revenge!” When they’ve sobered up from their gossiping high, they’ll wonder why, if what you say is true, you stayed with him. Then they’ll wonder why, all this time later, you’re running your mouth about the past. They’ll ask each other why you are still so hung up on a guy who, by your own account, didn’t even treat you right. (That’s also a question you should ask yourself.)

 

Read more on The Root

The Root: A Bittersweet Tribute to Black Womanhood

Sugar Sphinx “Where are the ants?”

It’s Mother’s Day. My mother has come to New York to spend the weekend with me, her only child. After a rooftop brunch, I insist that we swing through the Williamsburg section of Brooklyn, N.Y., to see Kara Walker’s latest art exhibit, “A Subtlety” (or “The Marvelous Sugar Baby”). I’m especially eager to see it on opening weekend, when it’s fresh (and before the masses see it and all the think pieces are written that will undoubtedly alter my perception), and I also want to see how my mom, not so much an art lover, reacts to it.

Walker, who is best-known for using her art to explore race, gender and sexuality, doesn’t disappoint. Her newest work, currently on display at the Domino Sugar Factory, is a modern-day sphinx in the image of a black woman. The “sugar sphinx,” as I’ve taken to calling her, wears a head scarf tied like a mammy and is replete with an ample bosom and the unmistakably black features of a wide nose, full lips and—the part that’s been getting all the social media attention—a gigantic butt.

I’d read up on Walker’s “Marvelous Sugar Baby” prior to showing up. The critics offered commentary on the roles enslaved black folks played in creating white wealth via the sugar trade and white delight through the consumption of sugar, once considered a delicacy. (At one point, it was fashionable for wealthy Europeans to flaunt their money by having figures created out of sugar, “subtleties,” as their table displays.)

There was plenty of talk about refining sugar, which takes something brown and makes it white, and how the process extends beyond sugar—most notably in the given setting of the gentrified neighborhood where this artwork is displayed. There was chatter about the meaning behind the gesture of the sphinx’s left hand—a thumb tucked between the index and middle fingers: Did it mean fertility or “good luck” or “f--k you”?

But none of those things are what I think of when walking into the massive warehouse and laying eyes on the 35-foot display. For all of the other things that she’s supposed to represent, no one discussed the power she evokes. I immediately like what I’m seeing.

Black women often complain of being overlooked, and here this one takes center stage, forcing herself to be noticed by sheer scope and size. The sugar sphinx looms large, an imposing figure over the (mostly white) spectators gathered around her, taking selfies or posing with friends in front of her cleavage. The image reminds me of all those pictures I’ve seen of tourists milling about the Great Sphinx of Giza—how, in comparison to the size and girth of the sculpture, people look like ants.

Speaking of which, my mother: “No, seriously. There are no ants?” she asks again. Standing in front of around 40 tons of sugar, according to a tour guide, and my mother is looking at the ground, searching for them.

“Do you have any idea of the pesticides we’re breathing?” she asks. The tour guide intervenes to explain that yes, the warehouse has been “treated,” but we are all safe. She looks at him like he’s stupid.

 

Read more on The Root 

Donald Sterling Blows His Apology Tour

Sterling vitsed Anderson Cooper.. and blew it. I thought it would be impossible to loathe still-Clippers owner Donald Sterling any more than I did after hearing his secretly recorded remarks in which he asked his half-black female companion to stop publicly associating with black people or bringing them to Clippers games and also threw Magic Johnson under the bus.

I also thought that maybe now that Sterling has been banned from all NBA events and is in jeopardy of losing ownership of the Clippers, he would have some sort of wake-up call about just how bad his antiquated outlook on “minorities” is. Or, at the very least, he’d be paranoid enough about his private thoughts that he would strike a more politically correct note in public. My bad.

On Monday, Sterling sat for a one-on-one interview with Anderson Cooper, his first at-length statements since the fracas. This was the beginning of an apology tour. A little late—two weeks after the fuss—but better late than never, I figured.

We—and certainly Sterling’s PR team—have seen enough successful acts of public contrition, fromTiger WoodsKobe Bryant and Melisa Harris-Perry, to name a few, that show how this is supposed to go. A proper mea culpa includes 1) a deeply felt, “I am sorry”; 2) acknowledgment of wrongdoing; 3) acknowledgment of pain caused; and 4) a personal apology shout-out to the people most offended.

If Sterling could have managed this, maybe there was the slightest chance that his fellow owners, who have yet to vote on whether he can remain owner of the Clippers, would show mercy and let him keep the team. (Far-fetched, I know, but he’s rich and white and male; they tend to get away with things most don’t.) Maybe Sterling’s enduring legacy would be more than the sugar daddy who liked to go on racist rants with his half-black alleged girlfriend. At the very least, with a proper apology, we could all wrap up this chapter in crazy news stories and move on to other fare.

But no. No. No No! Sterling blew the interview. He has enough money to buy the best crisis-management team in the business, and because it’s so dang simple to just apologize, there was no way he should have got this one wrong. He either has the worst publicist on earth or he just ignored any and all instruction. The interview was so appallingly bad that Cooper spent half of it wearing an expression that read, “Dude, you can’t be serious.”

Sterling apologized multiple times, but the tone was off. It came across as more like, “OK, I’m saying it, now forgive me,” than something he actually meant. But no one remembers it even happened because of all his other baffling remarks, including how “the blacks” want to play golf with him and, more outrageously, his new round of remarks about Magic Johnson, whom Sterling incorrectly referred to as having AIDS, even after Cooper corrected him. (Johnson is HIV-positive. There’s a difference.) E

“He acts so holy,” Sterling said of Johnson, who he claimed advised him to remain quiet after the initial scandal broke two weeks ago. “He made love to every girl in every city in America and he had AIDS, and when he had those AIDS, I went to my synagogue and I prayed for him, I hope he could live and be well. I didn’t criticize him. I could have. Is he an example for children?"

Let me get this straight: A long-married man—whose recent public implosion is the result of the recorded conversations possibly leaked by his alleged mistress, whom his wife sued for almost $2 million—is judging someone else’s alleged sexcapades from more than 20 years ago? Pot meet kettle.

Read more on The Root

Solange Knowles: Jay-Z's100th Problem? (Not Really)

Jay-Z, Beyonce' & Solange exit The Standard hotel after the "elevator incident". Remember three years ago when Beyoncé revealed her pregnancy from the stage of the 2011 MTV Music Video Awards? It set a then-record for Twitter with 8,868 tweets per second. If my personal social media timelines from yesterday are any indication, I’m going to guess the recent Carter-Knowles melee tops that.

Don’t act like you don’t know what I’m talking about. Yesterday TMZ—which, with stories about Donald Sterling and Columbus Short, has been on a roll with breaking news lately—released video footage that showed Solange Knowles, younger sister to pop superstar Beyoncé Knowles-Carter,wailing on her sister’s husband, rapper Jay Z, like she was some sort of “Mortal Kombat” character. On what had to be the longest elevator ride ever, Solange went off on her brother-in-law, slapping and punching and even kicking him multiple times. Ever-present bodyguard to the Carters Julius De Boer got a run for his money as he repeatedly attempted to restrain Solange.

So many people are talking about this video as if it’s the most scandalous event ever, but really it’s just an embarrassing family matter made public, and it shows cracks in the facade of Jay Z and Beyoncé’s picture-perfect life—sort of. The Carters didn’t do anything wrong here; Solange did.

As disappointing as it is to see a person lose control that way, she’s getting a huge pass from many viewers. Not because she has a history of physically going off—though, given her sister’s and brother-in-law’s unshocked reactions, she may. It’s just that Solange has always been the fired-up, keep-it-real one in the Knowles clan. Because of her personal “brand” of sorts, her antics aren’t so far-fetched, and the assumption is that Jay Z must have done something to “make” her flip on him, even if no mature adult thinks an assault was the best way to handle being angry.

Jay Z and Beyoncé are entirely in the clear here. Despite being assaulted, Jay Z only defends his person and leaves the literal heavy lifting to the bodyguard. He’s receiving some social media roasting about his “100th problem” (Solange), but his brand as a mature, urban sophisticate remains intact, and he won’t be losing any endorsements.

Beyoncé is unscathed as well, even if her reaction to her sister going ballistic on her husband is just ... strange. She mostly just stands there doing just about nothing. I certainly didn’t expect her to fight her sister, but it isn’t until the third time Solange kicks Jay Z that Beyoncé stands between them. And even then, she still looks unbothered, taking the time to fiddle with her dress as she acts like a human shield.

It’s a weird, if noble, reaction, but I guess that’s about what can be expected from a woman who has been on the receiving end of a long-running joke about her being a robot. (The rumors are officially confirmed.) No, but seriously, how many times does your sister attack your husband and you react like it’s nothing?

We’ll never know.

Read more on The Root 

Vanity Fair: 5 Things You Will Be Surprised to Know About Monica Lewsinsky

140506135750-restricted-01-lewinsky-horizontal-gallery  

I’m a nerd and a journalist. Even if I were not the latter, I would still be the former, and that means even I was not writing this story for publication, I still would have cut my Wednesday night short to sitnot-so-patiently until midnight with my iPhone, waiting for Vanity Fair to digitally release the full (and exclusive) Monica Lewinsky essay, ”Shame and Survival”, the one it had been promoting since the beginning of the week. I bought a year-long Vanity Fair subscription and downloaded the app to my phone just for the occasion. See, I told you. Nerd.

16 years after an infamous and captivating White House scandal, Lewinsky’s name is still spoken of with derision and/or followed by laughter. And she’s still a fascinating… well, “character” in the way that people who are in the public eye morph from being human. (In the essay, Lewinsky points out, “I’m actually a person” because we do need a reminder.) The popularity of her return to the spotlight—and the inherent drama that comes with it—is a bit like your favorite show getting a reunion several years after it’s off the air. It’s not going to be the same and, it will probably cheesy, but you were so invested the first go round, you pay attention for nostalgia’s sake, to laugh at the inevitable bloopers and get some behind-the-scenes insight of what once really mattered to you.

Let me explain exactly what I mean by invested.

There was no escaping the scandal, if you were moderately tuned into the news or pop culture, but it was especially in your face if you were from DC, Maryland or Virginia as most of the students at my college, The University of Maryland, College Park, were. Most of our parents had government jobs, and even if they weren’t directly related to the White House, politics drives the DC-Metro area Inside and Outside of the Beltway the way film drives LA and finance, fashion and entertainment drivel New York. Even if you’re not involved in it, you just happen to know a lot about the inner workings by mere  proximity. Everybody knows somebody who knows somebody who works in, near or around the White House. Everyone was talking about it.

I was at the lobby of a car wash once at the height of the Clinton-Lewinsky, watching and waiting alongside a mom and daughter, maybe 3, as a team of men towel-dried my vehicle. The little Black girl pointed to a rack of newspapers at her eye-level. It doesn’t matter which paper it was because they all carried the same cover story and had for weeks. In her high-pitched three-year-old voice, she said to her Mom, “ That's Monica Lewinsky?” She pronounced the name perfectly.

As a senior in college, my roommate and I would regularly rush from the cafeteria in time to see the latest brawl on Springer, and that was usually followed by watching then-President Bill Clinton’s televised grand jury testimony over and over and over, listening to prosecutors  ask the Leader of the Free World if he ever touched Lewinsky's breast or genitalia, if  he ever used a cigar in a sexual manner (!) Clinton squirmed and blinked profusely (and hilariously), giving away his lie. This—and the Real World, which we probably would have watched if the dorms had cable— was the 1998 version of reality TV. And probably also because we didn’t have cable, we watched that VHS tape over and over and over, hanging on every salacious detail.

Vanity Fair’s Lewinsky essay doesn’t disappoint, even if she’s more candid than salacious. And for a woman that’s spent the better part of her adult life being derided and insulted, she’s surprisingly quite likable. She doesn’t ask for any sympathy and takes accountability for her actions, which she’s suffered greatly – and unfairly for. Lewinsky, now 40, screwed up royally beginning when  she was 21, and she’s paid for it daily since. It seems she’s tried very hard to move on—much like the Clintons have—but has still been, as she puts it, “stuck.” By the end of the essay, I had a lot of sympathy for her, surely the intended point.

Anyway, in case you’re not a nerd like me or just not willing to plunk down $20 for a Vanity Fair subscription, I offer you the 5 Most Fascinating Revelations from Lewinsky’s personal essay (that weren’t included in the previously released excerpts):

 

1. She Didn’t See A Scandal Coming

It seems an impossible perception that a woman could think she could have an affair with the President of the United States and it would never come to light, but we’re also skewed by the 20/20 perception of hindsight. Lewinsky didn’t have that luxury.

“In my early 20s, I was too young to understand the real-life consequences, and too young to see that I would be sacrificed for political expediency,” she writes.” I look back now, shake my head in disbelief, and wonder: what was I—what were we— thinking?”

 

2.   It Wasn’t Just Sex with Clinton

The Lewinsky-Clinton scandal took place 16 years ago. Other than a passing mention in Beyonce’s “Partition’ or the time R. Kelly and Lady Gaga decided to act out the Lewinsky and Clinton’s Oval Office shenanigans at the American Music Awards, I haven’t thought about her much. The details I recall are the scandalous ones, of course—the stained dress, the cigar. But Lewinsky says there was more to the relationship with Clinton.

“I. Myself. Deeply. Regret. What. Happened,” she writes. “At the times—a least from my point of view— it was an authentic connection, with emotional intimacy, frequent visits, plans made, phone calls and gifts exchanged.”

 

3.    She Googles Herself

This counts as bravery, as far as I’m concerned. I’ve done one season of reality TV and even I don’t Google myself because of the horrible things people write on the Internet. You have no idea (or maybe you do, because sometimes they’re in the comments section here.) And I have no sex scandal to speak of. Still, she looks, usually when she gets a call from her doorman that the paparazzi have shown up at her building. She Googles to find out what she’s in the news for this time.

Lewinsky provides a “snapshot of a scenario she’s grown all too accustomed to”, most recently when a conservative website unearthed exchanges between Hillary Clinton and a close friend, that mentioned Lewinsky.

“My heart sinks,” she writes. “I know what this means. Whatever day I’ve planned has been jettisoned To leave the house – and risk a photo— only ensures that the story will stay alive.”

 

Read more on The Root